The characters of Baahubali: The Beginning, a historic epic fiction
directed by S S Rajamouli, are inspired by various personalities
described in Ramayana & Mahabharata. Though it is not a one-to-one
match, we see many sequences that will remind us of the incidents
recorded in these epics. In fact, movie maker S S Rajamouli, who
conceived and presented this visually stunning experience called
Baahubali, says that he took inspiration from Mahabharata and that he
had emotional connect with these epics, which were fed to him right from
his childhood.
Krishna being transferred from Mathura to Gokula
When Krishna was born there was a threat to his life from Kamsa, the
King of Mathura. To protect Krishna, Vasudeva carried the child from
Mathura to Gokula, crossing the river Yamuna. Krishna, born in the
prison house, was transferred to the house of Nanda Maharaja to live as
the son of Yashoda.
To protect the child of Amarendra Baahubali and Devasena from the
King Ballaladeva, Sivagami carries the child and escapes through a
tunnel, and crosses the river. The stranded child is rescued by a group
of villagers and thus Mahendra Baahubali lives as Shiva, the son of a
woman named Sanga
Hanuman offering to rescue Sitadevi
Sitadevi is kept captive in Ashoka Vatika by Ravana, the King of
Lanka. Hanuman comes in search of Sitadevi. He finds her and offers
obeisances. He offers to rescue Sitadevi and awaits her order. But
Sitadevi refuses saying that she will wait for her husband Ramachandra
to come and rescue her after killing the evil minded Ravana.
Kattappa offers to rescue Devasena and pleads for her approval. But
she refuses. She says that her son will come to punish Ballaladeva and
rescue her.
Ravana talking to Sitadevi in Ashokavana
Ravana visits Sitadevi at Ashoka forest and insists that she marry
him and lead a royal life as the queen of Lanka. Sitadevi does not even
see the face of Ravana, but tells him that her husband will surely come
and punish him for his misdeeds.
Ballaladeva visits Devasena who is captivated in Mahishmati. He
scorns at her for rejecting him and choosing Amarendra Baahubali as her
husband. Devasena does not even look at him. She later informs Kattappa
that she is building the funeral pyre for Ballaladeva and that her son
will come and drag the evil minded Ballaladeva to the funeral pyre to be
burnt alive.
Hanuman setting fire to palace of Ravana
Hanuman comes to Lanka looking for Sitadevi. He sees her in the
Ashokavana. To teach a lesson to Ravana, he sets fire to the royal
palace and burns the entire city of Lanka. He also kills Akshaya Kumara,
the son of Ravana
Mahendra Baahubali comes in disguise to rescue Devasena. He sets fire
to the royal palace of Ballaladeva and also kills his son.
Mahabali and Vamanadeva
Knowing
that the killer of the prince is none other than Mahendra Baahubali,
the son of Amarendra Baahubali, Kattappa, the slave warrior, surrenders
to him. He takes the feet of Mahendra Baahubali and keeps it on his
head, a scene reminding Vamandeva keeping his foot on the head of
Mahabali.Knowing that the killer of the prince is none other than
Mahendra Baahubali, the son of Amarendra Baahubali, Kattappa, the slave
warrior, surrenders to him. He takes the feet of Mahendra Baahubali and
keeps it on his head, a scene reminding Vamandeva keeping his foot on
the head of Mahabali.
Kalayavana attacks Mathura
The attack of Kalakeyas, a tribe that speaks an incomprehensible
language, on Mahishmati, is similar to that of the attack of Kalayavana,
a barbarian warrior, who attacked Mathura, with thirty million
soldiers. The Kalakeyas were described as barbarians who do not follow
any specific rules while battling and they pass through the cities
destroying them and making them look like a field stripped off by the
swarming locusts that destroy the crops.
Did you notice any other similarities such as this? Feel free to write in the comments.
Baahubali: The Conclusion which is scheduled to release in 2016, may
come with more surprises. However, project Baahubali is just a trailer
of Mahabharata. With his stunning visualization, let us wait for S S
Rajamouli to present the original epic Mahabharata, with much more
grandeur.
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